Abstract pattern of scattered gold confetti-like triangle shapes on a white background, bright and festive mood

Shota Suzuki

Nagoya, Aichi Prefecture, Japan

Shota Suzuki is the administrator of this special page. Born on April 15, 1986, he grew up in Nagoya and pursued a conventional path — university, followed by a career at a manufacturing company where he continues to work steadily.

Having previously worked as a freelance writer, he launched this site out of a desire to write again. His approach is straightforward: research topics that capture public attention or spark his own curiosity, then compile and present the findings.

If you notice any factual errors in the content or need to request a removal, please reach out via the contact form. He is committed to addressing concerns sincerely.

About This Site

This special page was created to document and celebrate Suchmos THE LIVE, the band's landmark concert held at Yokohama Stadium on September 8, 2019. It brings together the full concert track list, details on the exclusive Live CD release, information about the documentary film Suchmos THE DOCUMENT 2013–2019 "A.N.D.", and Blu-ray/DVD release notes — all in one place for fans.

The site is independently maintained and is not officially affiliated with the band, its management, or its record label.

The profile behind this special page reflects a deep appreciation for the music of Suchmos and the significance of the Yokohama Stadium performance in September 2019. The site's creator approaches the subject with the care of a longtime listener, gathering context around the band's sound, their rise through the Japanese music scene, and the particular energy of a large-scale open-air show. Rather than chasing headlines, the writing favors thoughtful observation, connecting the band's style to broader cultural currents. The result is a page that reads less like a news report and more like a considered companion piece for fans who want to revisit the atmosphere of that evening.

Maintaining a site like this involves more than pressing publish. Each piece of content is researched, cross-checked, and shaped into prose that stays true to the band's aesthetic while remaining accessible to newcomers. The editorial approach mirrors the design of the page itself: clean, deliberate, and unhurried, with room for the music to breathe. Corrections are handled quietly and promptly, and readers are encouraged to reach out if they spot inaccuracies. This sense of accountability gives the page a trustworthy character, distinguishing it from fan sites that prioritize volume over care.

For those who missed the live show or simply want to remember it, the page serves as a doorway into the world of Suchmos at a defining moment in their career. The stadium setting, the crowd, the setlist, and the band's unmistakable blend of funk, rock, and pop all come into focus through the writing. While the site is not affiliated with the band or its management, it stands as an independent tribute, built by someone who genuinely cares about the music. It invites visitors to slow down, read, and reconnect with the feeling of that September night in Yokohama.

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